SEARCH RESULTS FOR: Fabulous Thunderbirds
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(Vocal/instrumental group, 1974–present) Fusing straight blues, early rock’n’roll and classic R&B, the Texas roadhouse band – formed by guitarist Jimmie Vaughan and harpist/vocalist Kim Wilson – built a cult following throughout the 1970s and early 1980s, before breaking through commercially in 1986 with Tuff Enuff. While the band’s early Chrysalis recordings appealed mainly to blues and rock’n’roll ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, b. 1948) Robillard’s grasp of blues and jazz has kept him in demand since he founded Roomful of Blues in 1967. He was born in Woonsocket, Rhode Island and was influenced by Bill Doggett, T-Bone Walker and many others, absorbing the fine details of playing and arranging. He left Roomful in 1979 for a ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, b. 1953) New York City native Ronald Horvath began playing in Boston blues clubs during the 1970s, and in 1980 replaced Duke Robillard in Roomful of Blues. After eight years with the band, he struck out on his own with the Broadcasters, which prominently showcased his passionate Magic Sam meets T-Bone Walker guitar style. One of ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Exploding on to a generally lethargic blues scene in 1983 with his Texas Flood album, Stevie Ray Vaughan (1954–90) administered a high-voltage charge that revitalized the blues with his stunning, ecstatic playing and imagination. He took inspiration from the most stylish of his idols – Jimi Hendrix, Buddy Guy, Howlin’ Wolf, Albert King – but it ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Although the first generations of electric bluesmen played louder and more flamboyantly than their acoustic forefathers, their music was still traditional in its delivery and structure. The British blues players who emulated them during the 1960s were also fairly traditional in their approach to the genre. Jimi Hendrix opened things up a bit more when he first appeared on the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Of the entire century, the 1970s were the years of catching one’s breath. Superficially, the promise of the 1960s had faded or failed, the victim of wretched excess and just plain bad taste. America’s war in Vietnam sputtered to an end, international relations elsewhere seemed to stalemate in détente and economically the world suffered from stagflation: exhaustion ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

As the end of the twentieth century approached, the United States – its culture included – entered a rare period of recapitulation, retrieval and, ultimately, renewal. The election as President of ageing Ronald Reagan, ex-movie star and California governor, introduced unexpected neo-conservatism, an ideology that looked back to a rosy, though mythical, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

By definition, a contemporary era defies summary. No one living in it has the conclusive perspective to discern the prevailing character of our times, even though we all know what we’re going through, and can hear what we hear. The reductive view is: Americans, after a burst stock-market bubble and terrorist attacks, live in uncertainty, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Rock guitarist Albert Lee was born in Leominster, Herefordshire in 1943. The son of a musician, Lee started his musical career on piano, but like many of his generation, took up the guitar upon the arrival of rock’n’roll, inspired in particular by Buddy Holly. He played in various bands after leaving school at the age of ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Klou’-dyo Mon-ta-ver’-de) 1567–1643 Italian composer Claudio Monteverdi stands as one of the last great composers of the Renaissance and one of the first of the Baroque. He studied composition with the madrigalist Marc’Antonio Ingegneri (c. 1547–92) in his home town of Cremona. When he took his first professional post in his mid-twenties, he had already published six books of music and ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Trumpet, 1923–50) Theodore ‘Fats’ Navarro died prematurely and left a limited recorded legacy, most of it as a sideman. Nonetheless, he stood alongside Dizzy Gillespie and Miles Davis as one of the most significant trumpeters in bebop. He took over Gillespie’s chair in Billy Eckstine’s seminal big band in 1945, and enjoyed a brief but creative relationship ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

I’m having lunch in a Chelsea restaurant with a sprightly gent of 60-plus. His wits are quick and he’s a fabulous source of softly spoken gossip. He reflects a moment on one especially key evening in his life, early in 1963. ‘If you’re not sure who rock’n’roll belongs to,’ says Andrew Loog Oldham, ‘then it surely isn’t you ...

Source: The Rolling Stones Revealed, by Jason Draper

1960 Jimmy Page: First-Ever Serious ‘Gig’ Aged just 16, Jimmy Page – whose first guitar was a steel-stringed Spanish guitar on which he learnt to play skiffle, before quickly moving on to rock’n’roll and the electric guitar – played his first ever serious ‘gig’. Though he had been in local bands before, playing for British poet Royston Ellis ...

Source: Led Zeppelin Revealed, by Jason Draper

One of country music’s most influential and enduringly popular figures, Patsy Cline managed to transcend with seeming effortlessness the uneasy rift between traditional country music and the more urbane Nashville sound that emerged full-blown in the late 1950s. Crossover Diva Cline was one of the few female artists at the forefront of the emerging Nashville sound. With her smooth yet ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Although contemporary R&B prefers to align itself with its ruder and more street-credible cousins in hip hop, the roots of its mainstream practitioners lie firmly in manufactured pop. In a throwback to the Motown era, R&B has become a global phenomenon by combining producer-led factory formula with a high level of musical innovation and adventure. This balance of pop ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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